Converge

Converge is an experiment in building and dismantling, tracing how provisional structures register the dynamics of relation, responsibility, and instability. Using blue painter’s tape, the work extends across floor, wall, and air, generating both line and volume. These taped forms continually shift between drawing and architecture, creating a mutable framework that can be navigated, rearranged, and reconfigured. The process unfolds as an evolving dialogue. Gestures of construction are not linear but contingent, each decision calling for response and adjustment. Rearrangement, rather than erasure, becomes the central act: structures are undone only to be reformed, their configurations echoing the precariousness of social and ecological systems. The steady pulse of a metronome underscores this condition of fragility, marking time against forms that refuse to stabilize into a final state. Ultimately, Converge is less about the creation of a static image than about the choreography of adaptation that leads to transformation. Its shifting geometries reflect a world marked by upheaval and mirror the unsettled terrain of our moment—political, environmental, and human. By working with a material that insists on both presence and impermanence, the piece foregrounds the necessity of recalibration within a world defined by instability and change.